Oven chips as a symbol of family togetherness – albeit celebrating family ‘differences’ – is part of a long tradition in which some everyday products somehow become part of the national fabric. It’s not as easy to now as it ...

The Clio Awards are 60 this year and they’re celebrating some of adland’s icons with a campaign from BBDO LA featuring a Renaissance-style mural from Sam Spratt, a film and a website featuring, inter alia, George Lois, Mary Wells Lawrence, ...

Are women to be the salvation of the flagging US beer market? MillerCoors evidently thinks so. Recently we had a young lady winding down with a Coors Light courtesy of Leo Burnett and now it’s DDB Chicago’s turn for craft ...

When you’ve produced the world’s most famous truck ad – maybe the world’s only famous truck ad – as Forsman & Bodenfors did five or so years ago for Volvo with Jean-Claude Van Damme, it’s hard to top. But F&B ...

More Oreos, this time from Elvis featuring singer Lewis Capaldi – following hard on the heels of Ed Sheeran for Heinz ketchup. Part of a ‘Stay Playful’ campaign, with Capaldi offering for auction Oreos he’s twisted, licked and dunked (why ...

Global snack behemoth Mondelez has concluded a lengthy review by consolidating its global creative account with WPP and Publicis, Adweek tells us. Well it kind of has except Interpublic’s The Martin Agency continues on Oreo globally (a pretty big brand ...

There’s quite a battle going on between in-house broadcaster creative departments as their masters grapple with a changing TV world where subscription-based streaming is challenging more conventional forms of funding (advertising or, in the case of the BBC, you and ...

Cryptocurrencies are a mystery to many of us (except Facebook’s Mark Zuckerberg who’s decided he wants one of his own). Among the issues is the difficulty of trading, it seems. So Blockchain.com and agency Oberland have signed up the ever-reliable ...

M&C Saatchi is having a gruelling time at the moment, forced into a £6.4m provision over too-early revenue recognition and some assets on its balance sheet that aren’t worth what the agency thought they were. It’s re-iterated its profit guidance ...