Top Tips for Cannes Not only do these pieces of work use technology in an interesting way, but they demonstrate the crossroad of creativity, technology and humanity. The best ideas these days, I think, come from this holy trinity and ...
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Top Tips for Cannes Change The Ref – The Lost Class For me, it’s the masterpiece of the year. This campaign managed to create some conversation about a major society issue in the US all while creating emotion without being ...
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Shnoosee Bailey is executive creative director of HeyHuman. Prior to HeyHuman she was ECD at Saatchi & Saatchi X and creative director at Publicis Dialog. My Top Tips for Cannes Once again, we’ve seen some impressive work from the industry ...
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Mat Goff is joint CEO of adam&eveDDB Top Tips for Cannes Here comes Cannes, our yearly chance to measure the UK creative scene against the rest of the world. So who and what will be flying the flag this time ...
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Iain Hunter is ECD of Stack. My Top Tips for Cannes It’s big, bold, brash, in-your-face Cannes, so I hope the campaigns that win are the ones that nod to the occasion. Ambitious, smart ideas that can be simply sold-in ...
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Leo Burnett Worldwide has published its 32nd annual Cannes Lions Predictions, a list that forecasts the top 20 contenders for the industry’s most prestigious global awards. The 66th Cannes Lions International Festival of Creativity will be held in Cannes, France, ...
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Matt Williams is head of content at MSQ Partners. Top Tips for Cannes Speaking as someone who has won precisely one football accumulator in 12 years, I’d hate to think that anyone would take my annual Cannes picks seriously. So ...
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Sarah De Martin is UK managing director of Artefact. Cannes is round the corner and you can almost smell the booze. But amid the general merriment, celebration and industry insight, there’s one part of the sector screaming to be noticed: ...
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Wayne Guthrie is co-founder and director at Fearlessly Frank. With so much interesting stuff happening in the world of innovation right now, the question of what deserves recognition at Cannes this year is an obviously subjective one. But here are ...
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