Tag Archives: New Commercial Arts

New Commercial Arts, the agency set up by adam&eve founders James Murphy and David Golding, has muscled in on more Sainsbury’s business, adding a summer campaign for the supermarket’s beauty products to the Sainsbury’s-owned Habitat brand it won earlier this ...

Charlotte Prince and Loriley Sessions are an award-winning creative team at New Commercial Arts. Desert Island Ads If we were stuck on a desert island, watching ads would probably be at the bottom of the pile. Instead it would probably ...

Oh well, you can’t win ’em all. Here’s the second iteration of New Commercial Arts’ ‘It’s a people thing’ for Halifax – showing escape from lockdown (no masks etc.) Except we’re not of course, in the UK anyway as PM ...

New Commercial Arts, the already high profile London agency formed by James Murphy, David Golding, Ian Heartfield and Rob Curran only last year, has won Zurich Insurance’s global customer experience account. It’s a particular feather in the cap for Curran, ...

Here’s the eagerly-awaited New Commercial Arts debut for Vodafone, the global creative account it won hard on the heels of opening in the UK last year. With a new brand positioning – naturally – ‘Humanity and Technology – Together We ...

As we’ve said before the golden triangle for a new UK agency is a bank, a price comparison site and a a retailer, three substantial accounts that are usually free of international complications. New Commercial Arts already has a bank ...

In case anyone doubted it New Commercial Arts, the London agency founded by adam&eve’s James Murphy and David Golding with Ian Heartfield from BBH and Rob Curran from Wunderman, is now a big player – winning UK price comparison site ...

Halifax, one of the biggest UK banks, has a new chief customer officer in Lloyds Banking Group’s Catherine Kehoe, a shiny new ad agency (and customer experience agency) in New Commercial Arts and a bold new promise to “create a ...

At some stage soon we’ll have the tricky task of choosing our agencies of the year from a (mostly) battered and (maybe) reduced field. The criteria usually are business performance and creative work, which in themselves are getting harder to ...