All right, league tables of order daily cialis achievement are as commonplace as turkeys right now. Why burden you with another one? Well, I’ve been asked to – by the good folk at More About Advertising. So:
Ad of the Year. Yes, I liked BBH’s The Three Little Pigs and viagra generic india Creative Artist Agency’s Cannes Chipotle winner. Also, Del Campo Nazca Saatchi & Saatchi’s work for – of all improbable B2C clients – air-conditioning specialist BGH. Of which this, Summer Hater, directed by Juan Cabral, is the latest instance:
As MAA’s Stephen Foster puts it – “bleakly comic”.
My favourite, though, was Follow the Frog, a quirky satire of cheapest cialis the desk-bound yuppie eco-warrior fantasising about making the World A Better Place. Writer, director, copywriter, art director is Max Joseph – clearly another Orson Welles in the making. The commercial is produced by Wander Films, a creative boutique in Los Angeles. The moral? You don’t need to caverta veega generic viagra go to the ends of the earth to save the rainforest. Just Follow the Frog by buying kitemark-certified Rainforest Alliance products. They’ll do all the ethical heavy-lifting for you: sustain the forests, uphold socially equitable farming methods, and guarantee that what you buy is viagra and male orgazum economically viable:
It’s long – but isn’t nearly everything these days? The measure of the made-for-internet film is not its length, but how well it sustains our interest. On this criterion Follow the Frog succeeds very well. It’s got a good tale to tell, is directed with panache and taking 100mg viagra enlivened by bold use of graphics. Oh, and it uses gentle humour to camouflage the piety of its evangelical message. Yes “Siri”, viagra 3000mg it get’s my vote.
Agency of the Year. I won’t beat about the bush: it’s got to be Wieden & Kennedy. International networks are not infrequently capable of producing isolated brilliance (Del Campo being an example within the Saatchi organisation). Exceptional work, viagra cialis generica simultaneously executed on a number of fronts, is another matter. To take an investment analogy, W&K is a cialis levitra pharmacycom momentum stock outperforming in all its main markets. Whether that’s Clint fronting for Chrysler at the Super Bowl:
… London winning the £110m Tesco account – but also producing some of the most interesting creative work since “Grrr”.
Or Amsterdam’s slick spoof for the latest James Bond film, which neatly segues into its current Heineken campaign:
Person of the Year. Tempting to mention the name of Joel Ewanick, cialis soft tab videos isn’t it? No one can be said to have made a bigger splash in the world of marketing over the past year. Arguably, however, the now-dismissed chief marketing officer of General Motors made headlines for all the wrong reasons. A change agent, yes, but were any of his changes for the good? And what sort of permanence will they have? We hacks will miss him, but I suspect the wider marketing community will not.
Instead of anti-hero, therefore, I’ve gone for gritty hero: marketing services’ answer to Daniel Craig. Like Craig, he certainly wouldn’t be everyone’s first choice as the archetypal smooth operator. But his coolness under fire cannot be doubted.
I speak of Jerry Buhlmann, chief executive of Aegis Group plc. If there is anything archetypal about Jerry, it’s that he’s the archetypal self-made media man. He started off in the “five to one” slot, in other words the lowest of the low in the full-service agency hierarchy, at Young & Rubicam in 1980. Nine years later, he was setting up his his own media-buying outfit BBJ – along with ultimately less successful Nick Brien and Colin Jelfs (whose name has slipped from advertising history). BBJ – nowadays Vizeum – though successful (it handled for example the BMW account) was originally a “second-string” shop for conflicted WCRS media.
Buhlmann’s career really took off when WCRS’s Peter Scott had the inspired idea of acquiring Carat – Europe’s largest media buyer – and floating off the combined operation as a separate stock market entity, rechristened Aegis. Buhlmann and his company were soon swallowed up by the independent media specialist, which offered him much wider career opportunities. But was he a man capable of capitalising on them? While no one has ever doubted Buhlmann’s single-minded ambition to succeed, a lot have wondered whether he had the competence to do so.
Yes, he had a mind like a calculator and unrivalled commercial acumen, but where, oh where, were those human skills no less essential for making it to the top of the corporate pile? There was much mirth in the senior reaches of the media industry when Buhlmann got his first big break as head of Aegis Media EMEA in 2003. “It’s like William Hague trying to emulate Margaret Thatcher” was a typical response to his promotion. Then, as later, Buhlmann’s critics completely underestimated his ability to learn on the job.
When he became group chief executive in 2010, the reception was scarcely less friendly. The master of ‘focus’ and ‘detail’ was incapable of taking the broader view vital to successfully running a publicly-quoted company, it was said. And then there was Jerry’s far-from-diplomatic demeanour: how long before he rubbed the City up the wrong way and had to be dispensed with?
It wasn’t as if Aegis was an easy company to run, either. As a (near) pure-bred media specialist, it was susceptible to squalls in the media every time the inevitable financial scandal broke. Inevitable, because media buying and peculation are bedfellows and peculation distorts financial performance – meaning in Aegis’ case it had to resort to embarrassing public announcements every now and then. Other major media outfits, by contrast, have been able to rely on defence in depth from the much bigger marketing services organisations to which they belong.
Not only that, Aegis’s card was marked as a public company. For years, it laboured under the strain of being a takeover or break-up target. The strain reached nightmare proportions when Vincent Bolloré, the shareholder from hell, took a strategic stake in Aegis and began engineering a series of boardroom coups.
Some of the credit for Aegis’ eventual soft-landing – a 50 per cent-premium, £3.2m cash deal with Dentsu sealed this year – must go to Aegis chairman John Napier (left). But that still leaves a lot owing to Buhlmann himself. Not only did he keep all the plates spinning in difficult circumstances, he also demonstrated a strategic clarity which eluded his predecessors. He ruthlessly pruned the company of its lower-margin research operation (by disposing of Synovate to Ipsos), but at the same time bolstered its pure-play media-buying profile with the geographical add-on of Mitchell Communications.
Not a bad result, all in all, for the man once dubbed the king of the second-string.